{"id":713,"date":"2016-11-01T15:53:20","date_gmt":"2016-11-01T13:53:20","guid":{"rendered":"http:\/\/musiciansounddesign.de\/?page_id=713"},"modified":"2024-08-06T10:39:40","modified_gmt":"2024-08-06T08:39:40","slug":"speaker-simulation-for-electric-guitar","status":"publish","type":"page","link":"https:\/\/musiciansounddesign.de\/?page_id=713&lang=en","title":{"rendered":"Speaker Simulation for Electric Guitar"},"content":{"rendered":"

Cab Rock & Load Rock Speaker Simulation for Electric Guitar !<\/span><\/h1>\n

\"\"Cab Rock
\nOur Cab Rock Speaker Simulation was developed, aided by State of the art FFT Signal Analysis.
\nCab Rock features
\n1.a Hi Z input
\n2.a -21db input
\n3. a balanced and an unbalanced output.<\/p>\n

Besides the running of line signals the Hi Z input offers the possibility to directly connect effect such as distortion and chorus etc.
\nThis means , one can connect directly to a mixing desk or audio interface.<\/p>\n

The -21 db input is used to tap the signal in parallel in before the loudspeaker. (before it reachers the loud speaker?<\/p>\n

But; never use this input without load!<\/p>\n

The pad is set , so that output signals up to 100W can be tapped in parallel with the speaker cab.
\nVia dip switches, two different cab simulations are available; 1×12 and 4×12 as well as\u00a0 the typical mic in front of the cab sound when used with a 4×12\u00a0 speaker, selected via the Mic 57 Center Position switch.
\nTwo tone control pots( Low and High) allow various on Axis( more high frequencies) and off Axis( less top end) sounds to be dialled in.<\/p>\n

Another application is the combination with our Power Break Load Rock, for in ear stage monitoring.<\/p>\n